by Antonín Dvořák
Lyric fairy tale in three acts
Libretto by Jaroslav Kvapil

in czech language with english and german surtitles
No other version of the popular story where a mermaid falls in love with a human man and has to give up her form and herself for the love she craves, tells so beautifully of the two parallel worlds as Antonín Dvořák's opera Rusalka. And no one knows this world so well as the dazzling drag performers with whom director Bastian Kraft doubles Dvořák's forest and water creatures. They are experts in transformation and beautiful appearances in the spotlight. Through lip-synching, the drag performers make the fairy tale of mermaid and prince their own. Alongside a top-class ensemble of singers, they are on a quest for a life in which who we love and who we are no longer determines whose existence takes place in the light and whose is forced to take place in the dark.
Act I + II: approx. 1 Std. 40 Min.
Interval: approx. 25-30 Min.
Act III: approx. 55 Min.
World premiere
1901 in Prague

Premiere of this production
June 4, 2022
Recommended age
from grade 8
There will be a german introduction 45 minutes before the performance at foyer I. floor.

Tickets for the entire 2024/25 season can be booked from July 8, 2024, no advance bookings possible.

Feb 2025 Staatsoper Stuttgart Oberer Schloßgarten 6, 70173 Stuttgart

First performance this season
8-139 € / I, tickets as of 8. July 2024 Staatsoper Stuttgart Oberer Schloßgarten 6, 70173 Stuttgart

8-139 € / I, tickets as of 8. July 2024 Staatsoper Stuttgart Oberer Schloßgarten 6, 70173 Stuttgart

8-139 € / I, tickets as of 8. July 2024
Mar 2025 Staatsoper Stuttgart Oberer Schloßgarten 6, 70173 Stuttgart

For families
8-139 € / I, tickets as of 8. July 2024 Staatsoper Stuttgart Oberer Schloßgarten 6, 70173 Stuttgart

8-139 € / I, tickets as of 8. July 2024
Musikalische Leitung Oksana Lyniv
Regie Bastian Kraft
Bühne Peter Baur
Kostüme Jelena Miletić
Choreografie Judy LaDivina
Video Sophie Lux
Licht Gerrit Jurda
Dramaturgie Franz-Erdmann Meyer-Herder
Chor Manuel Pujol
Prinz Kai Kluge
Fremde Fürstin Diana Haller
Rusalka Esther Dierkes, Reflektra
Wassermann Goran Jurić, Alexander Cameltoe
Ježibaba Katia Ledoux, Judy LaDivina
Heger Torsten Hofmann
Küchenjunge Itzeli Jáuregui
1. Elfe Natasha Te Rupe Wilson, Vava Vilde
2. Elfe Catriona Smith, Lola Rose
3. Elfe Leia Lensing, Emily Island
Jäger N.N.
Musiker*innen des Staatsorchesters Stuttgart, Mitglieder des Staatsopernchores Staatsoper Stuttgart Oberer Schloßgarten 6, 70173 Stuttgart

8-139 € / I, tickets as of 8. July 2024 Staatsoper Stuttgart Oberer Schloßgarten 6, 70173 Stuttgart

8-139 € / I, tickets as of 8. July 2024 Staatsoper Stuttgart Oberer Schloßgarten 6, 70173 Stuttgart

8-139 € / I, tickets as of 8. July 2024
Act I
Deep in the dark forest is a lake where strange creatures revel and frolic mischievously, but one of their number, Rusalka, the water nymph, is gripped with yearning. She is in love with a prince, who is drawn to her waters at night, but he cannot see her: she is a prisoner of her element. The Water-Spirit, who has just been cavorting with three Wood-Sprites, listens with horror to Rusalka’s desire for a human body and soul – he tells her these things are full of sin, and not something for which she should yearn. Rusalka, however, is firm in her resolve, and the Water-Spirit, with great foreboding, sends her to Ježibaba the witch. Ježibaba lives close by, and she gives Rusalka the power to leave the water, hobbling on limping feet over the ground. Full of scorn, she listens to the water nymph’s wish, and gives her the thing she desires: a human soul. In exchange, Rusalka must leave her voice behind, and listen to the curse of the elements: if she is unable to keep her prince’s love, she will be damned to an eternity caught between life and death, and will drag her beloved with her to his doom. A huntsman’s voice is heard in the forest. Following close behind him is the Prince, who for weeks has been hunting a white doe which continually eludes him. Arriving at the lake, a place full of familiar and mysterious enchantment, he sends his retinue back to the palace in order to be alone. There he encounters Rusalka, now mute, whom he perceives by turns as his white doe, and as a creature of unearthly beauty from a fable. From the depths of the lake, the alarmed cries of Rusalka’s sisters ring out: one of them is missing! Not waiting for an answer to his questions of who or what she is, the Prince takes Rusalka to his palace.

Act II
At the Prince’s palace, a great feast is being prepared. The Gamekeeper and the Kitchen Boy are gossiping about the mysterious, cool beauty whom the Prince has brought from the forest, and who has swiftly changed his character for the worse. The Prince asks Rusalka over and over what her nature is, but receives no answer. He wishes to possess her completely, but feels an inner resistance. Out of arrogance and spite, a Foreign Princess resolves to divide the couple. She mocks Rusalka, and rebukes the Prince, pressuring him to entertain her.
The Prince sends Rusalka away to prepare for the celebrations, and sets off arm in arm with the Princess for a stroll. The guests arrive, and Rusalka does not know where to turn. The Water-Spirit appears, lamenting Rusalka’s path to ruin: she will never find what she yearns for in the human world, and she can never return to their watery realm. Rusalka rushes to him, speaking for the first time in weeks. The Prince’s love is slipping away from her, because he is seeking human passion, which she does not have. Rusalka and the Water-Spirit look on helplessly as the prince ardently declares his love to the Foreign Princess. When Rusalka throws herself into his arms, he pushes her away with a shudder. The Foreign Princess celebrates her triumph over them both, condemning the Prince and his beloved to hell.

Now under the curse of the elements, Rusalka must live as a will o’ the wisp, luring strangers to their doom. Ježibaba has nothing but scorn and contempt for the water nymph. Her only hope is to wash herself clean of the curse with the prince’s blood, but Rusalka is horrified at the thought of such a barbarous act, and she throws Ježibaba’s knife far out into the lake. Cast out by her kind, she is now caught between worlds, neither alive nor dead. The Gamekeeper and Kitchen Boy come to Ježibaba, pleading for help for their Prince, who is sinking ever deeper into crazed despair. But Ježibaba wouldn’t dream of coming to the aid of these men, and the Water-Spirit suddenly appears, driving them out of the forest with his threats. The Wood-Sprites we saw earlier now appear at the shore, admiring their own charms in the moonlight. When they begin their habitual teasing of the Water-Spirit, he tells them the sad tidings of Rusalka’s fate, at which the three sprites flee in alarm. Suddenly, the Prince appears at the lake shore, calling for his white doe. Rusalka appears hovering above the lake, and warns the Prince he will find nothing but death in her arms. However, his yearning for her is so strong, the Prince compels Rusalka to give him one final, fatal kiss. Left entirely alone, Rusalka commends the Prince’s soul to God’s forgiveness, and goes to her eternal doom.
The complete text of the opera in english translation can be found here:


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